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The Dark Knight is a deeply anti-communist film. We meant to work some more on this review and analyze the script more thoroughly. However, we felt this overview can help understand some
recent events better. ]
The big studio treatment of comic book adaptations seldom have anything to offer beyond stylized special effects. M. Night Shyamalan's Unbreakable was an attempt to break out the mould, but it wasn't a big success. The movies based on the Superman, Spiderman and Batman comics stayed well within the formula. The huge budget of these movies (often exceeding $200 million, half of it marketing costs), explains part of the problem. The movies must appeal to the widest segment possible. The Spiderman III movie took this to the extreme, with different targeted ad spots for men, women and children. The spots for men showed the action, the spot for women mostly showed the tender moments.
A comparison of the two comparable series (Spiderman and Batman) offers some more insight into how The Dark Knight came into being:
Company: Warner Brothers Pictures
Batman (1989) User Rating: 7.6/10 Director:Tim Burton
Batman Returns (1992) User Rating: 6.9/10 Director:Tim Burton
Batman Forever (1995) User Rating: 5.4/10 Director:Joel Schumacher
Batman Begins (2005) User Rating: 8.4/10 Director:Christopher Nolan
The Dark Knight (2008) User Rating: 9.0/10 Director:Christopher Nolan
Company: Columbia Pictures
Spider-Man (2002) User Rating: 7.4/10 Director:Sam Raimi
Spider-Man 2 (2004) User Rating: 7.7/10 Director:Sam Raimi
Spider-Man 3 (2007) User Rating:6.5/10 Director:Sam Raimi
Spider-Man 4 (2011) (*** announced *** ) Director:Sam Raimi
The above can explain the unusual choice of Christopher Nolan as the director. Prior to Batman Begins, Nolan had directed a few low budget films, including The Following and Memento, the latter being a cult success. This was followed by Nolan taking up Insomnia, a remake of a brilliant Norwegian film.
None of these prior works could predict Nolan would take up something like a Batman picture. This simply isn't his genre. Perhaps the dwindling fortunes of the Batman franchise forced the studio to make a bold decision. Batman Begins was a wild success and in retrospect one can clearly see Nolan was holding back. Then came The Dark Knight.
When people went to see the movie, they had a clear expectation. They wanted to see a spectacle - CGI, explosions, pop culture etc. The Dark Knight didn't disappoint, yet there was something shocking lurking underneath, something sinister and evil, something they could not quite put their fingers on.
They were most fascinated yet repulsed by the villain:
THE JOKER: [...] Nobody panics when things go according to plan, even if the plan is horrifying. If I tell the press that tomorrow a gangbanger will get shot, or a truckload of soldiers will be blown up, nobody panics. Because it's all part of the plan. But when I say that one little old mayor will die, everybody loses their minds!
Introduce a little anarchy, you upset the established order and everything becomes chaos. I'm an agent of chaos. And you know the thing about chaos, Harvey?
(Dent looks into the Joker's eyes. Finding meaning.)
THE JOKER: It's fair.
Chaos is a recurring theme in the movie, a moral alternative to the unjust society. The Joker has a far reaching agenda. He does not believe in wealth (sets fire to a mini hill of currency notes), he does not make friends. He wants to transform the entire society. He is a violently unpredictable anarchist, yet his approach highly systematic.
What the audience was experiencing was essentially a communist "revolution" condensed into two hours of Hollywood format. Introducing a little bit of chaos can do wonders to society, permanently damaging the moral compass of the citizens.
Chaos later beccomes chance, the way intellectuals usually rationalize the movement. This was demonstrated via the Harvey Dent character.
Harvey Dent was a straight as an arrow character in the beginning, who believed in himself:
DENT: My father's lucky coin. As I recall, it got me my first date with you.
RACHEL: I'm serious, Harvey, you don't leave things like this to chance.
DENT: I don't. (sincere) I make my own luck.
.. and this is what became of him:
DENT: It's not about what I want. It's about what's fair. (to Gordon and Batman) You thought we could be decent men in an indecent world. You thought we could lead by example. You thought the rules could be bent but not break... you were wrong. The world is cruel.
(shows his coin)
And the only morality in a cruel world is chance. Unbiased. Unprejudiced. Fair.
Harvey Dent is easily brainwashed by a simple trick of the Joker. The Joker pretends to put himself to the test. Funny thing is, by the time the socialists put themselves to the test, their words start being taken for granted. In one poignant moment in the movie, the Joker appears to stake his life to the outcome of a coin toss. The coin toss is not shown - it is implied that merely by suggesting that the Joker himself is not afraid of the outcome of chaos, he waives the need for an actual test. This is also what we see in practice - socialists constantly talk about sacrifice, but we have to take their word for it.
The movie is replete with imagery and verbiage of socialist regimes, at one point the Joker conducts a "social experiment".
The Joker in this movie uses techniques that appear uncomfortably familiar - IEDs, bomb laden suicide vests, rigged vehicles and boats, hijacking, gasoline ....
There is a parallel theme running in the movie about terrorism, statecraft and leadership in times of challenges.
NATASCHA: But this is a democracy, Harvey.
DENT: When their enemies were at the gate, the Romans would suspend democracy and appoint one man to protect the city. It wasn't considered an honor. It was considered public service.
RACHEL: And the last man they asked to protect the republic was named Caesar. He never gave up that power.
This is a clear allusion to the War on Terror, which as we know was called off recently.
Few critics and reviewers really examined the movie in depth. Many simply called it "dark" (duh!). Some were fascinated by scenes in line with their ideological (conscious or otherwise) belief, for instance Tehelka report Shoma Choudhury
liked the boat scene (social experiment). Rajeev Masand of CNN-IBN
found the movie to be "spectacularly inellectual", without quite explaining why.
It is no wonder the Academy Awards gave the movie a pass, as it ran counter to the current political ideals. The award went to the other highly revered movie, in which chance is not only celebrated, it plays a starring role. Redemption comes from chance, not from ones actions.
Resources:
Screenplay (Warner Brothers) [
PDF]